We are all very familiar with
Michelangelo, especially the PCC study abroad students in Florence, and most of
his majestic masterpieces. Georgio
Vasari quotes, “Michelangelo acquired so much skill in his study of art that it
was incredible to see his lofty concepts and difficult style, which he put into
practice with such great facility that it terrified people unaccustomed to
seeing such works as well as those accostumed to good ones, for the works that
others were showing seemed nothing in comparison with his. “ (pg. 424) While
Michelangelo’s sculpting techniques are the rarist of his time you can witness his
artwork in the Saint Peter’s in the Chapel of the Madonna della Febbre, in the
temple of Mars. This figure of the dead Christ stands out because its
unimaginable beauty of it limbs and the way the body is carved. A nude man
endowed with muscels, veins, and nerves stretched over the framework of the
bones. In addition, the expression on the face is so very gentle, and there is
such harmony in the joints and the articulations of the arms, torso, and legs.
“Michelangelo placed so much love and labour in this work that on it he left
his name written across a sash which grids Our Lady’s breast.” (pg. 425) This
happened because one day he went into the church where the statue was placed
and he saw a large amount of foreigners from Lombardy who were praising his
statue. As he saw the foreigners praising his statue he realized that he
himself was not receiving praise, but they were praising :Our Gobbo from
Milian” instead. So, one night he snuck into the church and brought his carving
kit and carved his name into the statue.
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